KVNF Mountain Grown Community Radio

Driving in northern New Mexico requires special caution on Good Friday. Tens of thousands of people — some walking all night — are converging on the village of Chimayo to pray inside a 200-year-old chapel before a carved wooden image of Jesus.

As it does every year, the highway department has put out portable toilets, orange barriers, and signs warning motorists of "Santuario walkers."

The year is 1915. A beautiful young woman bicycling through sun-dappled woods passes under an effigy of a German soldier and seems entirely unfazed. World War I is raging elsewhere in Europe, but here on the French Riviera life is serene.

The cyclist, Andree, is on her way to pose for an elderly Impressionist painter, Pierre-Auguste Renoir (Michel Bouquet), whom she somewhat startles by claiming to be an artist herself.

"An artist," wonders the great man.

A New York landmark of sorts is in danger of being wiped off the map. The building now known as Broken Angel was an ordinary 19th-century brick structure until self-taught artist and sculptor Arthur Wood started building on top of it in the late 1970s. Now Wood faces eviction from his own masterpiece — a towering structure that looks like a cathedral built out of salvaged junk.

For the past six years in Somalia, Western countries have been putting up the cash and African nations have been supplying the soldiers, a formula that has pushed back al-Qaida-linked militants and allowed Somalia to elect it's first democratic government in 20 years.

"We can fix our problems in Africa," says Brig. Michael Ondoga, a contingent commander with the African Union Mission in Somalia or AMISOM. "All we need is your support."

It's not at all hard to see why this plan is so agreeable to the American government.