Christie Aschwanden

“My writing often comes to me that way–something that interests me in the real life world, something kind of political and thorny, something I don’t entirely totally know how I think about it, something I’m interested in exploring.” These words from short story writer and novelist Claire Boyles are at the heart of this episode on the relationship between fiction and real life. How might having personal experience in a certain arena both help and hinder our ability to use it as material for fiction? How can characters drive the way opinions are explored in a book? How do we create more compelling characters? What must be let go as we create a fictional realm? How can fiction help us explore “thorny” political themes? And how might our past lives help us in practical ways as we move forward in our creative lives?Claire Boyles (she/her) is a writer and former farmer. Her debut novel, Appraisals, is forthcoming in August 2026. A 2022 Whiting Award winner in fiction, she is the author of Site Fidelity, which won the High Plains Book Award and was longlisted for the PEN/Robert W. Bingham Award, the Colorado Book Award, and the Reading the West Award. Her nonfiction has appeared in Sierra Magazine and Virginia Quarterly Review, among other journals, and she is a screenwriter with multiple credits on the Hallmark Channel. She splits time between Loveland, Colorado and Ames, Iowa, where she is an Assistant Professor of Creative Writing and the Environment at Iowa State University.Claire will be a speaker at the Grand Mesa Writer’s Symposium in Cedaredge on September 12. Details here: https://www.grandmesawriters.org/schedule

“Sometimes I let the subconscious deal with it,” says science writer Elizabeth Preston, author of the new book The Creature’s Guide to Caring, How animal parents teach us that humans were born to care. In this interview, we talk about the evolution of a manuscript–how she went from the “Big Idea” to the actual book. Other threads include the importance of walking away, balancing parenting with a writing life, why humor helps, the invitation to be bold, and how the “gnomes in the back of my head” have helped Elizabeth solve structural problems with her creative projects.Elizabeth Preston is a science journalist who contributes regularly to The New York Times and has written for Science, The Boston Globe, The Atlantic, Orion, Slate, Audubon, Discover, National Geographic, and others. She is a winner of the American Association for the Advancement of Science’s Kavli Science Journalism Gold Award. Preston is also a humor writer whose work has appeared in outlets such as McSweeney’s Internet Tendency, Parents, and Real Simple, and was the editor of Muse, a magazine about science and ideas for kids. She lives in Massachusetts. Her new book is The Creature’s Guide to Caring: How animal parents teach us that humans were born to care

“The book is about the opposite of the eureka moment,” says science writer Roberta Kwok about her new book, LOST IN CURIOSITY: Field Notes From Scientists’ Adventures into the Unknown. Join us in a conversation about the difficulties and gifts of showing up day after day. We talk about patience, wrestling with process, and the long slow path to epiphany–in science and in creative endeavors. We talk, too, about how to choose the right people to interview for a book based on research, how the body may or may not be a part of creative process, the possibility that walking is not the most important tool in a writer’s toolbox, and the thrill of collaboration.Roberta Kwok is a science writer whose work has appeared in The New York Times, NewYorker.com, Nature, New Scientist, Audubon, and otherpublications. She has received a fellowship from the Knight Science Journalism Program at the Massachusetts Institute of Technology, a grant from the Alfred P. Sloan Foundation, and awards from the American Association for the Advancement of Science and the American Geophysical Union. Before becoming a journalist, Kwok worked in a genetics lab at Stanford University. She lives in the Seattle area and is originally from Canada.

“I didn’t know I enjoyed thinking so much,” says science writer Roxanne Khamsi when asked what surprised her most about writing her first book Beyond Inheritance. “I thought I enjoyed interviewing people and reading research papers and the process of finding the right verb in a sentence. What’s hard for me is once I get into that thinking space, I can’t let go of it.” In this episode we talk about how she made the leap from writing articles to writing a book—and why they are so different. We talk about creating an arc for a book of essays, what to do when the structure for your book isn’t working, letting go of a project once its over, meeting our self critic, the role of obsession in writing a book, the art of going for “the big idea” and how to carry that in a nonfiction book, how writing reflects the author’s personality.

“I use play as kind of a backdoor to talk about tougher subjects,” says poet Kelli Russell Agodon, “but also as a front door for the reader to be able to listen.” Her most recent book, Accidental Devotions, blends humor, vulnerability, aging, the chaos of relationships, and the art of humaning.

Everyone gets stuck. And in this interview with writer and teacher Ramona Ausubel, we talk about why this is normal and practical, usable ways to meet a page when we don’t think we can go on. Drawing from her newest book, Unstuck:101 Doorways leading from the Blank Page to the Last Page, Ramona shares with us why certain strategies work only at certain stages of creative projects. We talk about finding patterns, ways to develop characters and create scenes, different ways to approach different drafts, the half-draft approach, finding opposition and so much more.

A poet and a science writer walk into a podcast—and laugh, tease, joke, uplift, and ask each other tough questions about creative process. In this episode of Emerging Form, the hosts Rosemerry Wahtola Trommer and Christie Aschwanden ask each other some of the questions they like to ask their guests. It’s a raucous, fun episode in which they rib each other as only best friends can do, taking turns being in the hot seat to talk about ambition, how getting older has affected creative practice, sincerity, empathy, curiosity and, of course, wine.

“Elation and connection” are two of the side effects of communal singing, and for over four decades, Kate Munger has been writing songs to be sung in tender and difficult moments–at the bedside of the dying, in prisons, and now at gatherings to repair democracy. We talk with Kate about what makes a good communal song, her writing process, how song can transform a negatively charged moment, and what are some of the challenges for communal singing in this moment.

Imagine you’ve just heard an hour-long keynote full of history, statistics, personal story and social justice. And then someone comes to the stage, sits at the piano, and sings back a song that encapsulates the emotional and intellectual content you’ve just heard. That is the improvisational talent of Ken Medema, a keyboardist/pianist, singer, storyteller and performer. In this episode of Emerging Form, we speak with Ken about the importance of a “fence” when it comes to creative play, how to listen for key phrases, how to make people feel truly seen and heard through creative response, plus there’s a spontaneous mid-interview performance!

“The least dangerous humor is to make fun of yourself and your foibles,” says comedian Chris Duffy. How might such a sense of humor help jumpstart and nourish your creative life? In this episode of Emerging Form, we talk with Chris about