Mandalit del Barco

As an arts correspondent based at NPR West, Mandalit del Barco reports and produces stories about film, television, music, visual arts, dance and other topics. Over the years, she has also covered everything from street gangs to Hollywood, police and prisons, marijuana, immigration, race relations, natural disasters, Latino arts and urban street culture (including hip hop dance, music, and art). Every year, she covers the Oscars and the Grammy awards for NPR, as well as the Sundance Film Festival and other events. Her news reports, feature stories and photos, filed from Los Angeles and abroad, can be heard on All Things Considered, Morning Edition, Weekend Edition, Alt.latino, and npr.org.

del Barco's reporting has taken her throughout the United States, including Los Angeles, New Orleans, New York, San Francisco and Miami. Reporting further afield as well, del Barco traveled to Haiti to report on the aftermath of the devastating earthquake. She has chronicled street gangs exported from the U.S. to El Salvador and Honduras, and in Mexico, she reported about immigrant smugglers, musicians, filmmakers and artists. In Argentina, del Barco profiled tango legend Carlos Gardel, and in the Philippines, she reported a feature on balikbayan boxes. From China, del Barco contributed to NPR's coverage of the United Nations' Women's Conference. She also spent a year in her birthplace, Peru, working on a documentary and teaching radio journalism as a Fulbright Fellow and on a fellowship with the Knight International Center For Journalists.

In addition to reporting daily stories, del Barco produced half-hour radio documentaries about gangs in Central America, Latino hip hop, L.A. Homegirls, artist Frida Kahlo, New York's Palladium ballroom and Puerto Rican "Casitas."

Before moving to Los Angeles, del Barco was a reporter for NPR Member station WNYC in New York City. She started her radio career on the production staff of NPR's Weekend Edition Saturday with Scott Simon. However her first taste for radio came as a teenager, when she and her brother won an award for an NPR children's radio contest.

del Barco's reporting experience extends into newspaper and magazines. She served on the staffs of The Miami Herald and The Village Voice, and has done freelance reporting. She has written articles for Latina magazine and reported for the weekly radio show Latino USA.

Stories written by del Barco have appeared in several books including Las Christmas: Favorite Latino Authors Share their Holiday Memories (Vintage Books) and Las Mamis: Favorite Latino Authors Remember their Mothers (Vintage Books). del Barco contributed to an anthology on rap music and hip hop culture in the book, Droppin' Science (Temple University Press).

Peruvian writer Julio Villanueva Chang profiled del Barco's life and career for the book Se Habla Espanol: Voces Latinas en USA (Alfaguara Press).

She mentors young journalists through NPR's "Next Generation", Global Girl, the National Association of Hispanic Journalists and on her own, throughout the U.S. and Latin America.

A fourth generation journalist, del Barco was born in Lima, Peru, to a Peruvian father and Mexican-American mother. She grew up in Baldwin, Kansas, and in Oakland, California, and has lived in Manhattan, Madrid, Miami, Lima and Los Angeles. She began her journalism career as a reporter, columnist and editor for the Daily Californian while studying anthropology and rhetoric at the University of California, Berkeley. She earned a Master's degree in journalism from Columbia University with her thesis, "Breakdancers: Who are they, and why are they spinning on their heads?"

For those who are curious where her name comes from, "Mandalit" is the name of a woman in a song from Carmina Burana, a musical work from the 13th century put to music in the 20th century by composer Carl Orff.

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I'm really happy we're finally talking about this on the program.

MANDALIT DEL BARCO, BYLINE: I know you are. I know you are (laughter).

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Nigeria has submitted its first-ever Oscar entry, but the Academy of Motion Picture Arts and Sciences says the film does not qualify for the international category. And that is sparking criticism. Here's NPR's Mandalit del Barco.

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In 1949, Charles and Ray Eames designed and built their home on a bluff overlooking the ocean in the Pacific Palisades. Features of their house and studio are now ubiquitous, but 70 years ago, they were revolutionary.

Charles was an architect; his wife, Ray, a painter. From their Los Angeles studio, they designed molded plywood office and lounge chairs that are now considered classics. The couple devised toys and made innovative films about math and computers for clients such as IBM and Boeing.

What's a Mexican restaurant without guacamole? What's a hipster cafe without avocado toast? Some restaurateurs may be contemplating these questions this summer as the price of avocados has spiked to almost double the price a year ago.

In Los Angeles' Boyle Heights neighborhood, El Tepeyac Cafe uses loads of avocados for its delicious homemade guacamole. In fact, it goes through about 50 boxes of the fruit every week. Operations manager Bernadette Thom says the restaurant has no choice but to pay more.

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For decades, animated children's stories included negative stereotypes of Indigenous people.

There was Disney's Pocahontas, which presented the daughter of a Powhatan chief in a romantic love story with Captain John Smith. Crystal Echo Hawk, CEO of the media watchdog group IllumiNative, says it was a false narrative about a girl who in reality was "taken by force and sexually assaulted."

"La Cocina" means "the kitchen" in Spanish. It's also the name of a business incubator based in San Francisco's Mission District. Since it began in 2005, it's been helping local food entrepreneurs, many of whom are low-income immigrant women, develop their small businesses.

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The Last Black Man in San Francisco is a film inspired by the real-life story of Jimmie Fails. He tries to reclaim the Victorian-style house where his family once lived, in the now-gentrified Fillmore District. Through the movie, he dreams of what it could be again.

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Less than two weeks after John Singleton suffered a massive stroke, the trailblazing filmmaker has died in Los Angeles at the age of 51. The director, who made history with 1991's Boyz n the Hood as the youngest person and first African American ever nominated for a best director Oscar, died Monday at Cedars-Sinai Hospital after his family took him off life support.

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Fans of the sitcom "One Day At A Time" are campaigning on social media, hoping to save the show. Netflix has canceled the Latino-themed version of Norman Lear's 1970s hit TV show. NPR's Mandalit del Barco reports.

Here's what's up with docs: They're doing great at the box office.

At last month's Sundance Film Festival, Knock Down the House broke the festival's documentary sales record: reportedly $10 million to Netflix. The film follows the 2018 campaigns of four female congressional candidates, including Alexandria Ocasio-Cortez.

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Hollywood began the awards season last night with some surprises at the Golden Globes. Many people expected "A Star Is Born" to sweep the awards. Instead, the top honors went to "Green Book" and "Bohemian Rhapsody." Here's NPR's Mandalit del Barco.

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In Southern California, wildfires have forced about 170,000 people to evacuate from Los Angeles and Ventura counties. NPR's Mandalit del Barco has been talking with people who had to flee the fire, and she has this report.

After dark on a recent Wednesday, well-known guerilla street artist Robbie Conal and two of his artist friends spent a few hours of political mischief on the streets of Los Angeles.

In the parking lot of Wendy's Donuts in Marina Del Rey, they spot their first target: a traffic light control box, perfectly sized for one of his new posters lampooning President Trump and his inner circle.

The Los Angeles Philharmonic's yearlong centennial celebration kicked off at the end of September, with a day-long street festival that spanned eight miles across the city.

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Photographer George Rodriguez chronicled Los Angeles for nearly six decades from Hollywood to the Chicano movement to hip-hop and beyond. As NPR's Mandalit del Barco reports, his work is now being celebrated in a new book and his first gallery retrospective.

The global box office success of Black Panther is no surprise to UCLA sociologist Darnell Hunt. His annual report on Hollywood diversity argues that movies and TV shows with diverse casts and creators pay off for the industry's bottom line.

A chair is just a chair, unless it's designed as a sound-insulated "isolation sphere": a space-age, egg-shaped pod that was created by a French architect in 1971. It's the kind of unique object you can find at this year's Design Miami.

The fair features everything from vintage furniture to contemporary ceramics to handcrafted jewelry — all collectible objects from the 20th and 21st century. Rodman Primack is chief creative officer of the marketplace, where potential buyers can find unique, limited edition pieces and prototypes commissioned by 34 galleries from around the world.

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How many taco trucks do you know that not only have a cookbook but a theme song? Wes Avila's Guerrilla Tacos truck does – and has once again made food critic Jonathan Gold's influential list of favorite Los Angeles eateries.

Happy birthday, Orange Chicken.

There are a lot of home recipes now for this dish. But Panda Express, the country's largest Chinese-American fast food chain, claims to have created this sweet and sour concoction, its signature dish, 30 years ago today.

Since Hurricane Maria, people in Puerto Rico have been without easy access to electricity, clean drinking water, or food. Many are still staying in shelters; some are living in the ruins of their homes. The once-lush green trees were stripped bare and uprooted.

But all is not lost.

There are two quintessential Puerto Rican sounds that survived:

One is the plaintive song of the tiny coqui frog.

The other is the improvised Afro-Puerto Rican call-and-response musical tradition known as Plena.

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